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2005 PROGRAMME

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2004 Winners

Keith Francis, Kent for The Glass of Beer

1st 

Olivia Kenny McCarthy, Co. Sligo for Finding the Plough

2nd 

Irene A. Mosvold, Louisville, Kentucky for The Right Time to Die

joint 3rd 

Justin McCarthy, Co. Sligo for Hand that is my Spine

joint 3rd 

 

 

 

 

Keith Francis, Kent for The Glass of Beer

1st 

 

The glass of beer,

She’s put it on the table.

She drinks the glass.

The cylinder of beer

Remains unmoved by this.

“That’s odd”, she says.

 

A cupid’s arrow through a heart

And meeting no resistance she’s pushed

The straw all the way diagonally,

Till both ends are sticking out of the column of ale

“No use” she says and bins the straw.              

 

She takes a genuine Belfast linen

Tablecloth from the old pine dresser;

She has it taut over the table

And with a blink of a flick, “Ah Ha”, has it slicked

Under the roulade of brewed malt.

 

“Brawn!” he says, eventually home,

Cuts the loaf in half lengthways

And claps it up, a man’s, a real man’s sandwich.

“Wheresh tha mushstaagh?” he tries to

Enunciate, drowned in breadsops.

 

She’s made the bed then pushed him out.

Not with her back flat against the wall,

Two feet straining to roll him,

She pushed him with a whisk of

Her duster along the bed head,

With the swirl of the water down

The plughole of their bedroom basin,

‘Tirra lira by the river”, she sang,

Tippitting downstairs with the wpb.

 

She let all the wardrobe doors fall wide. 

 “O lucky lucky moths” she enticed, “come feast”

And stood at the back door with the town plan,

Pointing out, as the suits, chinos and blousons

Walked past, the sensible route to Oxfam.

She listens for the screech of brakes,

About now they should be crossing the main road.

Silence. “Good. They’ve used the Pelican crossing”.

 

She put all her rollers in, a scarf over

And went out by the front door.

“Old horse” she said stroking its bonnet

“No more grooming for you.”

She sat and played with the electric windows

Letting the old nag rub its neck up and down the gatepost

And since it was so obviously happy she leaves it

With the keys in the dash and the sunroof open.

 

She spent that night, a bottle of gin

In her left hand, the cane of the long

Bamboo feather duster in her right,

Twiddling up the words from the corners

Of the ceiling and from round the lampshades.

They come away easily but

“My, this looks like a long job”.

 

The next day was bright and clear

So she took the house by its

Chimney ears, shakes it inside out

Pegs it on the line and

Standing upwind of the cheerful breeze

She wallops away with Granny’s cloverleaf

Carpet beater. “You were right Granny

About the cleansing power

Of sunlight and elbow grease”.

 

In the afternoon she unhooked the clothes

Prop, mastered the flapping house,

“Last time I do this!” she said

Flipped it right side in and plops

It down on the footings but a touch off-

Centre so the blooming lilac tree is

By the window of the sitting room

But inside now. 

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Olivia Kenny McCarthy, Co. Sligo for Finding the Plough

2nd 

 

Finding the Plough

 

My bearings depend on this space -

alone, outside the back door

searching the sky for the Plough.

 

Bat wrapped in the dark, I move

to the wide border

under the hawthorn hedge -

where purple spires of catmint thread

the path and woollen light swells

beneath half remembered plants.

 

Away from the house - its blank stare -

my ears tune to a crescendo

of small sounds; birch leaves falling

on a rusty shed, the strumming

of moths round cathedrals of blue,

my breath - held or exhaled.

 

Sometimes I can hear the sea roar

all the way from Brown’s Bay,

great dollops of sound coming down

the Bent road, sweeping over Gillen’s

farm, round Jack Walsh’s field,

right up to the back wall of our house -

 

in that swell of sound, my bearings loose,

I find the Plough

tilting over the garden arch.

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Irene A. Mosvold, Louisville, Kentucky for The Right Time to Die

joint 3rd 

 

The Right Time to Die

 

                            for Werner Herzog

 

 

A message arrived: Come quickly, it said. She is dying.

             I could keep her alive if I walked from Munich to Paris

my needy feet pinning her soul in place.

I took the straightest route, through fields and hills.

If my feet were on the ground she would be too, but

if I took the train or a plane she would vanish

like the quickflash of a photographer's bulb.

The winter was bitter. I walked.

She recovered by the time I arrived, and went on to live nine more years.

One day, in her nineties, she looked at me over lunch and said, "Leben sott, I am done.

But I cannot leave. I feel there is a spell upon me, keeping me here."

Lotte, I said, there is no spell upon you.

Two weeks later she was dead.

 

 

 

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Justin McCarthy, Co. Sligo for Hand that is my Spine

 

joint 3rd 

HAND THAT IS MY SPINE

 

I am alone in the moon-

Lit far out tide

Walking across ripples of

Hard bumpy sand

Everywhere in front

Of me, nowhere behind

 

Trying to call up

Silence in the torrent

Of the wave that left

Me beached and distraught

I sit on a rock that

Is not there

 

Cup my chin in my

Hand that is my spine

Weight of my

Head crushing my toes

Into the sand that once

Was rocks

 

A sea sudden and huge lets

Herself in the back door

Takes off her coat and asks

Can I help you

She is naked inside

Her waters, rearing like hooves

 

In the moon screeched

Night falling all around

I let her hand that is

Her spine lift me just

Before our wave breaks full

Of stones becoming sand

 

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